FK_F1.jpg
50.jpg
FormulaKills_FiberglassRopeChair_Cover.jpg
Formula Kills_Factory Girl.jpg
TapesandTapes 2.jpg
MoireModel 049.png
IMG_7157_FormulaKills.jpg
FormulaKills_DeformableSoundMembrane_Cover.jpg
FormulaKills_LetterOpener_Cover.jpg
FormulaKills_MirrorMirror.jpg
FK_F1.jpg

Soft Cell


soft cell

fiberglass rope experiments using recycled plastic containers

SCROLL DOWN

Soft Cell


soft cell

fiberglass rope experiments using recycled plastic containers

50.jpg

Smoke & Mirrors


Smoke & Mirrors

40" x 40"

Experimental drawings

Smoke & Mirrors


Smoke & Mirrors

40" x 40"

Experimental drawings

AP_01

18x24

Acrylic, Polished SS, Masonite

 

Render tests:

FormulaKills_FiberglassRopeChair_Cover.jpg

Fiberglass Rope Chair


Fiberglass Rope Chair

PennDesign | SS/2012 | Critic Katrin Mueller-Russo

fiberglass rope, resin, uv lamp, sunlight

 

The prototype is both lightweight and extremely strong, despite a fragile aesthetic.  It weighs roughly 3.2 lbs. and has supported a man weighing 205 lbs.The chair was featured on Archinect's "Ten Top Images on Archinect's "Student Work" Pinterest Board" and was part of the May 2012 ICFF annex show at Model Citizens, NYC.

Fiberglass Rope Chair


Fiberglass Rope Chair

PennDesign | SS/2012 | Critic Katrin Mueller-Russo

fiberglass rope, resin, uv lamp, sunlight

 

The prototype is both lightweight and extremely strong, despite a fragile aesthetic.  It weighs roughly 3.2 lbs. and has supported a man weighing 205 lbs.The chair was featured on Archinect's "Ten Top Images on Archinect's "Student Work" Pinterest Board" and was part of the May 2012 ICFF annex show at Model Citizens, NYC.


Formula Kills_Factory Girl.jpg

Factory Girl


factory girl

a catwalk conveyor belt

Factory Girl


factory girl

a catwalk conveyor belt

 

Factory Girl is a fashion runway which uses mannequins on a conveyor belt as opposed to human models who may, or may not, be absurdly skinny due to demands by the industry, societal ideals, or model management.

 
TapesandTapes 2.jpg

Tapes and Tapes


Tapes and Tapes

Spring 2010

standard cassette tape, canvas (9" x 12"), spray paint

This model was my reaction to architectural notions of mapping and networks.  I impulsively, and intuitively, unraveled an old cassette tape to form a spatial frame so the plastic cassette could be laid to rest.

Tapes and Tapes


Tapes and Tapes

Spring 2010

standard cassette tape, canvas (9" x 12"), spray paint

This model was my reaction to architectural notions of mapping and networks.  I impulsively, and intuitively, unraveled an old cassette tape to form a spatial frame so the plastic cassette could be laid to rest.

MoireModel 049.png

Moiré Box Space


Moiré Box Space

Spring 2012

acrylic, aluminum, elastic line

This is a synchronic snapshot of geometric response to audio.  Feeding an audio file into Grasshopper enabled geometry to respond to various frequencies within the definition, ultimately creating the design based on the audio input at a specific point in time.

Moiré Box Space


Moiré Box Space

Spring 2012

acrylic, aluminum, elastic line

This is a synchronic snapshot of geometric response to audio.  Feeding an audio file into Grasshopper enabled geometry to respond to various frequencies within the definition, ultimately creating the design based on the audio input at a specific point in time.

IMG_7157_FormulaKills.jpg

Rotation Around a Void


rotation around a void

2009

Foam core

Rotation Around a Void


rotation around a void

2009

Foam core

FormulaKills_DeformableSoundMembrane_Cover.jpg

Deformable Sound Membrane


Deformable Sound Membrane

an architectural instrument

PennDesign | SS/2012 | Critic Simon Kim


Sound creation is an extension of the body.  For instance, the haptic nature of the guitar is in direct relation to the sound emitted from the instrument, as the hand’s fingers map notes.  Likewise, the architectural surface becomes an extension of the hand, arm, and body.  The deformable sound membrane is a prototype created to demonstrate geometrical modulation of sound through the architectural surface.  A 36” metal ring was used as a structural frame for a four-way stretch lycra membrane.  Three flex sensors were sewn to the lycra which were connected to an Arduino board that sent measured data to a personal computer.  The computer received the data from the Arduino via Grasshopper, a plug-in for Rhinocerus.  A Grasshopper definition then sent the data via “udp send” to Max/MSP where the data was used to modulate sound frequencies.

Deformable Sound Membrane


Deformable Sound Membrane

an architectural instrument

PennDesign | SS/2012 | Critic Simon Kim


Sound creation is an extension of the body.  For instance, the haptic nature of the guitar is in direct relation to the sound emitted from the instrument, as the hand’s fingers map notes.  Likewise, the architectural surface becomes an extension of the hand, arm, and body.  The deformable sound membrane is a prototype created to demonstrate geometrical modulation of sound through the architectural surface.  A 36” metal ring was used as a structural frame for a four-way stretch lycra membrane.  Three flex sensors were sewn to the lycra which were connected to an Arduino board that sent measured data to a personal computer.  The computer received the data from the Arduino via Grasshopper, a plug-in for Rhinocerus.  A Grasshopper definition then sent the data via “udp send” to Max/MSP where the data was used to modulate sound frequencies.

FormulaKills_LetterOpener_Cover.jpg

Letter Opener


Cherry Letter Opener

PennDesign | FS/2011 | Critic Peter Bressler

A letter opener hand cut and sanded out of a piece of cherry

Letter Opener


Cherry Letter Opener

PennDesign | FS/2011 | Critic Peter Bressler

A letter opener hand cut and sanded out of a piece of cherry

FormulaKills_MirrorMirror.jpg

Mirror Mirror


Mirror Mirror

2003

Mirror Mirror


Mirror Mirror

2003